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The JHS All American pedal is a very versatile 3 voice take on the famous RAT Pedal. The three position "Voice" toggle is the key to the wide range of sounds. We tested the All American with two LP's, one with P90's and the other Humbuckers plugged into a 6V6-loaded amp through LAVA solid core cables into a 1x12 with G12H30.
We've now got the JHS Angry Charlie Pedal in stock. It's a real nice Marshall JCM-sounding pedal. Full description and review coming soon.
Just arrived is the JHS Charlie Brown Distortion Pedal. If you know the story, Lucy always promises to hold the football for Charlie Brown, but always pulls it away at the last moment and Charlie lands flat on his back. Lucy is in for surprise....Full description and review coming soon.
Tremolo is back, and JHS has a nifty little analog Honeycomb Tremolo that can supply of the pulse and throb that you are hearing more and more on countless recordings. Well, maybe tremolo never actually left; it just does not get the respect it deserves.
The JHS Morning Glory overdrive pedal is as claimed: A very transparent overdrive but without the Tube Screamer midrange "hump" so many other drive pedals have. With the JHS Morning Glory, your tone in is your tone out.
The best way to describe the JHS Pulp’n Peel compressor is that "I forgot it was on until I turned it off". “Really”, I said that to someone who asked how I liked the JHS Pulp’n Peel Compressor. That in a nutshell is the beauty of the Pulp’n Peel: Natural transparent compression that enhances your sound rather than stomping on it.
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