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From our own playing perspective, it's hard for us to get jazzed on a fuzz pedal, but the Red Muck is very tasteful. Like the other JAM products we've sampled, the Red Muck sounds very rich, but you also hear a lot of the guitar's natural voice even at very gritty levels. Much of the success behind the Muck's tone is it's low end and sustain. The bass response on this pedal is huge, and your guitar is fattened up substantially as soon as you click it on. Single coil guitars get that great creamy texture to them and humbuckers grow three sizes. From there you use the Level, Tone and Gain controls to choose your ultimate fuzz voice. The controls are meant to be used in their full capacity so don't be afraid to turn it all the way up, or down: The Red Muck is full of sweet spots. At low levels of gain you get significant tone thickening with the crisp breakup coming out with harder picking dynamics. With more and more gain the pedal increasingly saturates your signal with smooth, organic distortion. The tone control on the Muck is very useful, and we found it to be a big help when using guitars with very different pickups.
Overall the Red Muck is a load of fun. It nails the best fuzz tones of the 70's, 80's and 90's and works well with just about any rig. If you want a fuzz that's built like a tank, and works to better everyone's tone, join the Red Muck Revolution.